Use the filter below to search through our archive of artworks.
no bodies welcome | all bodies welcome is a speculative choir piece housed within a ‘void pod’, by Aay Liparoto, FACT’s 2019 EMAP artist-in-residence.
by Aay Liparoto
Warm Worlds and Otherwise (2018-2019), Anna Bunting-Branch, & META (2018), Aliyah Hussain, Installation environment (dimensions variable); digital animation for Oculus Go (11:40 minutes, looped)
Anna Bunting-Branch, The Linguists (2017). HD video with sound (8:04 minutes, looped).
Mother Tongue (2016), Anna Bunting-Branch, Mixed media (105 x 85 x 75 cm)
Why can’t we do this IRL? (2019), Megan Broadmeadow, Installation environment (dimensions variable); HD video with sound.
Life is... Grand II: Anatomy of Apology (2019), Brandon Covington Sam-Sumana, Installation environment (dimensions variable)
Phoebe Collings-James’ work explores the poetics and emotional debris of violence, language, and desire, through the medium of ceramics.
oKoKok (2013-2019) is a collection of fragile plaster ruins that evoke the image of a hood or spectre.
Mother Tongue, Mother Master is a video of ringing bells on net stretched across the artist’s face.
The Observer is a moving painting built using Emergence: a computer system that Allen developed in the late 1990’s, able to generate artificial life.
The Complaints Choir is an international art project that invites you to sing your gripes aloud.
Machine Auguries (2019). Multi-channel sound installation (10 min)
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