As If No Misfortune Had Occurred in the Night (2022)

Larissa Sansour and Søren Lind have developed a new film installation featuring an Arabic-language opera, performed by Palestinian soprano Nour Darwish. Presented as a single aria, the opera revolves around loss, mourning and inherited trauma.

by Larissa Sansour, Søren Lind

Songs for living (2021)

In Songs for living, the ghosts of our ancestors reconnect with life in a desire to heal following personal loss and ecological upheaval. Artist Korakrit Arunanondchai collaborates with cinematographer Alex Gvojic to create a collage of visual languages and musical styles which weave together stories of grief, transformation, and spiritual power.

by Korakrit Arunanondchai, Alex Gvojic

Fi Dem V - A Redemptive Song (2022)

Zinzi Minott's work explores both the histories of the Windrush Generation, and broader histories and experiences of Blackness, migration, and living in the diaspora. This new work, which is part of an ongoing series, has been developed in response to Liverpool.

by Zinzi Minott

Following the Gourd (2022)

Following the Gourd by Ebun Sodipo was developed in collaboration with young LGBTQ+ people online, led by a small group of Black trans people: The Cartographer’s Committee. The work exists both as an online platform, and at FACT as an installation.

by Ebun Sodipo

Dark Circles (2022)

Developed during her FACT artist residency, Tessa Norton presents a new multimedia installation exploring the ambiguity of Anglo-Indian identity; which, though a product of Empire, was marginalised within it.

by Tessa Norton

Lotus Root (2022)

Sian Fan combines movement, the body and 3D animation to explore the interdependency between people and technology. Lotus Root is an installation exploring ancestry and identity in the digital age.

by Sian Fan

Deity (2022)

Sian Fan is an artist based in the UK who works across sculpture, performance, film and animation to consider the ways in which virtual and image technologies affect our physical experiences. Deity is a digital performance that combines live motion capture with physical movement.

by Sian Fan

Birthday Garden (2022)

Yaloo is an artist from South Korea who uses digital media and technology to create interactive artworks. In Birthday Garden, Yaloo invites us into an immersive underwater garden inspired by coming- of-age stories and symbols of Korean culture.

by Yaloo

When the moon dreamed of the ocean (2022)

Josèfa Ntjam is an artist, performer and writer whose practice combines sculpture, photomontage, film and sound. This installation reexamines history in the aftermath of colonialism and the Transatlantic slave trade. It references counter-cultural movements and non-Western histories that symbolise ideas of resistance, transformation and freedom.

by Josèfa Ntjam

When Our Worlds Meet (2022)

Danielle Brathwaite-Shirley creates artwork that archives the experiences of Black Trans people, and communities who can be otherwise underserved. In an immersive installation and new video game, Danielle opens access to worlds designed with The Bandidos, a group of young people from Liverpool.

by Danielle Brathwaite-Shirley

The Earthly Realm is Out of Balance (2022)

The Earthly Realm is Out of Balance is a research-driven, choose-your-own-adventure game featuring a custom-built chatbot that needs your help. By engaging with the work, you help build an archive which is premised on a healing, collective, and nuanced discussion around belonging.

by April Lin 林森

Metroscopes (2003)

The Metroscopes consist of 5 circular LED dot matrix displays each mounted on individual columns in Ropewalks Square. The public artwork was created by Clive Gillman when FACT opened in 2003, and was restored in 2023 in celebration of the building's 20th anniversary.

by Clive Gillman